Posts tagged “ Kaytranada

Retrospective | 2013

LOW - LIFE

As per usual, I’m just a little bit late handing in this final report. But it’s not because we left it to the last minute… (Well that’s not entirely true; some of us did.) But some of us have been deliberating for weeks – and much more intensely during the last week or so. After countless hours of sifting through the ol’ iTunes library and scrolling through SoundCloud <3s, we painstakingly compiled this list of releases that moved us from the past year.

We didn’t rank them. Who are we to make the ruling that “so-and-so dropped the best track of the year”?

Think of this as a music yearbook for our eclectic little dysfunctional family of music enthusiasts.

It’s not the case that all of us agree on every single item on the final list. The list would look completely different if any one of our other staff-writers had prepared the final draft in my stead. But I did my best to weave a tapestry of each of our distinctive contributor’s thoughtful selections. That said, it is impossible for me to transcend my personal bias in the final selection process.

There were way too many tracks that I wanted to include and had no choice but to leave out due to length limitations. We could have put together a list of three hundred tracks, but we had to abritrarily draw the line somewhere… We selected twenty LPs, twenty EPs, and one hundred tracks to share with you.

So – don’t take this as an exhaustive list. I must admit that we left out a large handful of gems, but I did my best to throw together a sampling of music from 2013 that bobbed our heads, shook our butts, and filled our hearts with reverence and joy.

What does the future hold for us?

L O W – L I F E

Selected LPs

Reflektor

Reflektor – Arcade Fire [Merge]

Family Vacation

Family Vacation – Axel Boman [Studio Barnhus]

Tomorrow's Harvest

Tomorrow’s Harvest – Boards of Canada [Warp]

Random Access Memories

Random Access Memories – Daft Punk [Columbia]

Psychic

Psychic – Darkside [Other People]

Settle

Settle – Disclosure [PMR]

Amygdala

Amygdala – DJ Koze [Pampa]

Doris

Doris – Earl Sweatshirt [Tan Cressida, Columbia]

Engravings

Engravings – Forest Swords [Tri Angle]

Beautiful Rewind

Beautiful Rewind – Four Tet [Text]

Overgrown

Overgrown – James Blake [Atlas, A&M, Polydor]

Rap Album 1

Rap Album 1 – Jonwayne [Stonesthrow]

Immunity

Immunity – Jon Hopkins [Domino]

Cut 4 Me

CUT 4 ME – Kelela [Fade To Mind]

Yeezus

Yeezus – Kanye West [Def Jam]

Six Feet Beneath the Moon

6 Feet Beneath the Moon – King Krule [XL, True Panther]

Cold Spring Faultless Youth

Cold Spring Faultless Youth – Mount Kimbie [Warp]

Eve

Eve – Booka Shade [Embassy One]

Anything In Return

Anything In Return – Toro Y Moi [Carpark]

Treat Me Right

Treat Me Right – Trus’me [Prime Numbers]

Selected EPs

Scala

Scala – Agoria, Francesco Tristano [Innervisions]

Tatischeff

Tatischeff EP – Ame [Innervisions]

River Dealer

Rival Dealer – Burial [Hyperdub]

MTS Vol.2

MTS Vol. 2 – Crazy P [Future Boogie]

Careless EP

Careless – Dusky [Aus]

Uprising EP

The Uprising – Ian O’Donovan [KMS]

Planets, Spaceships EP

Planets, Spaceships – Jamie Jones [Hot Creations]

Taking Over EP

Taking Over – Joe Goddard [DFA]

Anaphora

Anaphora – John Tejada [Palette]

Yugen

Yugen – Koreless [Young Turks]

LZD, Pt. 2

LZD II – Laszlo Dancehall [Man Make Music]

Brother Sister

Brother/Sister – Leon Vynehall [Aus]

Airglow Fires EP

Airglow Fires – Lone [R&S]

Truths EP

Truths – Maribou State [Southern Fried]

Send A Prayer EP

Send A Prayer – Motor City Drum Ensemble [MCDE]

Sweet Life

Sweet Life – Rick Wade [FINA]

Elliot

Elliot – Roosevelt [Greco Roman]

Gotham EP

Gotham – Ten Walls [Innervisions]

Requiem EP

Requiem – Ten Walls [Life and Death]

Strandbar

Strandbar – Todd Terje [Olsen]

Selected Tracks

Axel Boman

Axel Boman

Pressure – Adesse Versions [Make Love In Public Spaces]
For One Hour (ft. Scalde) (Paradis remix) – Agoria [Rebirth]
Out – Autem [ASL Singles Club]
Hello – Axel Boman [Studio Barnhus]
Cinderella Curfew – Baunz [self-released]

Boards of Canada

Boards of Canada

Satisfy – Bicep [Feel My Bicep]
It’s All Over – Blanc 1 [Hivern]
Semena Mertvykh – Boards of Canada [Warp]
Heat – Boddika [Swamp 81]
Imperfection – Bodhi [Future Classic]

Booka Shade

Booka Shade

Giving It All (Joe Goddard remix) – Bondax [Ultra]
Cirrus – Bonobo [Ninja Tune]
Love Inc. – Booka Shade [Embassy One]
Come Down To Us – Burial [Hyperdub]
Walkin’ – CAS [self-released]

Darkside

Darkside

All My Love (Kingdom edit) – Cassie [self-released]
FlyLOVE – Chris Turner [Rebirth]
Lose Yourself to Dance (ft. Pharrell Williams) – Daft Punk [Columbia]
Confidence – Daniel Stefanik [Cocoon]
Heart – Darkside [Other People]

Disclosure

Disclosure

Colt – Dense & Pika [Hot Flush]
When A Fire Starts To Burn – Disclosure [PMR]
No One Gets Left Behind (Konstantin Sibold remix) – DJ Yellow, Flowers & Sea Creatures [Compost]
Started From the Bottom – Drake [Cash Money, Island, Republic]
Need U (100%) ft. A*M*E – Duke Dumont [Ministry of Sound]

Four Tet

Four Tet

Careless – Dusky [Aus]
Hive (ft. Vince Staples & Casey Veggies) – Earl Sweatshirt [Tan Cressida, Columbia]
Love Your Illusion – Eric Volta [No. 19]
Between Villains – Captain Murphy, Viktor Vaughn, Earl Sweatshirt [Williams Street]
For These Times – Four Tet [Nonplus]

Atoms For Peace

Thom Yorke & Nigel Godrich of Atoms For Peace

Pyramid (Atoms For Peace remix) – Four Tet [self-released]
Majestic Mountains – Franskild [Sweat It Out!]
I Can Tell (By the Way You Move) – George Fitzgerald [Double Six]
Truth South – Glimpse [Aus]
Renata (Daphni remix) – Holden [Border Community]

James Blake

James Blake

Musician – Homeboy Sandman [Stones Throw]
Sirocco – Ian O’Donovan [KMS]
Faithful – Jacques Greene [LuckyMe]
Retrograde – James Blake [Atlas, A&M, Polydor]
You Naked (Jimmy Edgar remix) – Jamie Lidell [Warp]

Kaytranada

Kaytranada

Golden (Kaytranada Life Living Edition) – Jill Scott [self-released]
I See Lights (Karmon remix) – Jimmy & Fred [Exploited]
She Burns (ft. Mara Carlyle) – Joe Goddard [Greco-Roman]
Somewhere – John Tejada [Kompakt]
Open Eye Signal – Jon Hopkins [Warp]

Jonwayne

Jonwayne

Altitude – Jonwayne [Stones Throw]
Ringo – Joris Voorn [Green]
Big Room Tech House DJ Tool – TIP! – Joy Orbison [Rinse]
Lucky I Got What I Want – Jungle. [Chess Club]
Avalanche – Just Friends [Clown & Sunset]

Kanye West

Kanye West

Everything – Justin Jay [Southern Fried]
Hold My Liquor – Kanye West [Def Jam]
Survive – Kidnap Kid [Black Butter]
Sun – Koreless [Young Turks]
Nightflow (Kenny Larkin Drama remix) – La Fleur [Watergate]

Leon Vynehall

Leon Vynehall

Guuurl – Lapalux [Brainfeeder]
Ain’t No Time – Laszlo Dancehall [Man Make Music]
I Know – Leftwing & Kody [Off]
Sister – Leon Vynehall [Aus]
Airglow Fires – Lone [R&S]

Maceo Plex

Maceo Plex

Loneliness – Luca Bacchetti & Guti [Endless]
Closer – Lulu James [Sony RCA]
J.A.W.S. – Luxury [Method]
Mind On Fire – Maceo Plex [K7]
Eyesdontlie – Machinedrum [Ninja Tune]

DJ Koze

DJ Koze

It’s Only (DJ Koze Remix) – Matthew Herbert [Pampa]
Burning Bright (ft. Kim Ann Foxman) – Maya Jane Coles [I/AM/ME]
Creep (ft. Wayne Tennant) – Michael Gracioppo [Innervisions]
Trace – Midland [Aus]
Without You – John Talabot [DJ-Kicks]

Jamie Jones

Jamie Jones

Turn Off the Lights (Jamie Jones remix) – Mineo [Hot Creations]
Send A Prayer Pt. 2 – Motor City Drum Ensemble [MCDE]
Made To Stray – Mount Kimbie [Warp]
Finder – Ninetoes [Kling Klong]
Thank You 4 Letting Me Be Myself – Omar S [FXHE]

Theo Parrish

Theo Parrish

Wires (Theo Parrish Remix) – Owiny Sigoma Band [Brownswood]
Untitled – Paul Woolford [Hotflush]
Your Love (You Give Me Fever) – Romare [Black Acre]
Elliot – Roosevelt [Greco-Roman]
The Wheel (Employee Of The Year remix) – SOHN [self-released]

Shlohmo & Jeremih

Shlohmo & Jeremih

Bo Peep (Do U Right) – Shlohmo & Jeremih [Yours Truly]
Lady C’mon (Kissey remix – extended version) – Sinkane [DFA]
Bipp – Sophie [Numbers]
Makin’ Love – Sound Stream [Sound Stream]
Time (ft. Seth Troxler) – Subb-an, Tom Trago [Visionquest]

Ten Walls

Ten Walls

Another Earth – Tale Of Us [Minus]
Requiem – Ten Walls [Innervisions]
Amaze – Terekke [L.I.E.S.]
Oh Sheit It’s X – Thundercat [Brainfeeder]
Let’s Go Dancing (Maya Jane Coles Dancing In The Dark remix) – Tiga vs. Audion [Turbo]

Todd Terje

Todd Terje

Strandbar (disko version) – Todd Terje [Olsen]
Worst Enemy – Toddla T Sound [Ninja Tune]
Hummel – Topspin, Dmit Kitz [Save Room]
Imprint Of Pleasure – Tube & Berger [Suara]
Wit(z) – Valentin Stip [Clown & Sunset]

Larry Heard

Larry Heard

Summer At Night – Vincenzo Varagone [Soundlab]
Say You Won’t Ever (Larry Heard club mix) – Wallflower [Rebirth]
All Little Things – Wareika [Visionquest]
Make It Good (Pete Josef remix) – The White Lamp [Mixmag]
A1 – 8prn [self-released]

with love,

L O W – L I F E


Disclosure | January (Kaytranada Edition)

January - Kaytranada Edition

Earlier today, Kaytranada put forth his silky smooth edit of Disclosure ’s collab with Jamie Woon , “January.” The track can be found on Settle: The Remixes , which will see a release date next week. The 15-track compilation features names such as SOHN , Midland , and Hudson Mohawke .


Kaytranada | Hilarity Duff

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HW&W recordings releases two new cuts from the young Kaytranada . At All/Hilarity Duff includes a remix from homie Sango . Kaytra’s No Peer Pressure Tour commences tomorrow in a city near you. Get to know–


Kaytranada | At All

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Forthcoming on HW&W , here is the latest cut from Montreal’s funky soulful undeniable dance-floor murderah’– Kaytranada .

K has graciously made “At All” available for free download. Don’t sleep on this one–

kaytranada

[Kevin Celestin, a.k.a. Kaytranada]

Wolfey


Busta Rhymes x Janet Jackson | What’s It Gonna Be (Kaytranada Edition)

Kaytranada

“Sorry for Busta Rhymes adlibs taking over tha song.”

Once again, Kaytranada artfully taps into ‘90s R&B nostalgia with his latest bootleg- an edit of Busta Rhymes and Janet Jackson’s “What’s It Gonna Be?” And, as per usual, the track is available for download via the Montreal-bred beatmaker’s Soundcloud .

See previously:

Kaytranada | Interview

Jill Scott | Golden (Kaytranada’s Life Living Edition)

Kaytranada | Kaytra Todo

Kaytranada | All We Do ft. JMSN

Kaytranada | Holy Hole Inna Donut

Janet Jackson | If (Kaytranada Remix)

alh


The Celestics | KILL

[The Celestics]

The Celestin brothers put forth video treatment for their latest release titled “Kill” yesterday morning, and it stands as the second product from the Haitian -by way of Montreal- brotherly duo. It is assumed that the track “ Kill” will be featured on the upcoming release “Supreme Laziness” from The Clesetics; Kaytranada on the production, and his 18-year old brother Louis-P with the words.

The Video, directed by Christian Agyeman and John Aguilar, is delightful; comprised of electric blue geometric landscapes, 2-dimensional Japanese basketball players, and altered shots of the brothers dancing and rapping to the beat of their own creation.

Louis P lays down an impressive and filtered rap that flows quickly and harmonically overtop of Kaytranada’s skittering and jazzy production. The result is a fun 2 minutes; a teaser for what is to come from these two funky and talented brothers.

See previously: Kaytranada | Interview

Much love,
Atom


Outkast | Roses (8prn remix)

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Here is 8prn ‘s take on Outkast’s anthemic pop classic “Roses”. This may be the dopest remix we have heard from Patrick Holland so far…

That said–he has a handful choice cuts in his remix discography already. ( His adaptation of Evy Jane’s “nothing so great” is a personal favourite.)

If you are feeling 8prn ‘s steez, put on his ‘escape’ mix; it’s fresh out of the oven:

You can catch him tomorrow night in Vancouver at Fortune. He will be warming up the crowd for Kaytranada and Kastle . Here are the details

8prn

[Patrick Holland a.k.a. 8prn]

See previously:

8prn | Over It EP

8prn | Crazy In Love & Forgive bootlegs

Evy Jane (8prn remix) | Nothing So Great

8prn | Time Waste EP

Love,

Wolfey


8prn | Crazy In Love / Forgive Bootleg

Crazy In Love

Vancouver-based producer Patrick Holland has been busy in recent weeks. While not in the studio or at school, he has been warming up local crowds for the likes of Shlohmo , Groundislava , and Ryan Hemsworth and others as well as playing casual sets at the Chapel Sound nights .

In late March, he released his second EP titled Over It via our very own web-based label Blenheim & Celtic . Although Over It did not receive an avalanche of press, the record met with enthusiastic approval from a handful of authoritative music tastemakers including Andrew Ryce, a music journalist who writes for both Pitchfork and Resident Advisor . One morning a week-or-so following the release, while listening to Hemsworth get into the swing of his set for Diplo & Friends broadcast via BBCR1 , Holland was pleasantly surprised to hear the opening bars of “Runnin’”, one of the cuts from his recent EP, blend into the mix. Around the same time period, he was approached by WCR Management–the manager behind Kaytranada , a young Montreal-based hip-hop producer who has been making waves in recent months. (Check out our recent interview with Kaytranada here.)

In the past week, Holland added two new sounds to his catalog of bootlegs, which is growing healthily.

Last week he released his hypnotic energetic four-to-the-floor adaptation of “Forgive,” a track off Burial ‘s debut self-titled instant-classic.

Today, he dropped his slinky mangled interpretation of Beyoncé ‘s epic pop anthem “Crazy In Love”.

See previously:

8prn | Over It EP

Video: 8prn | Solow

Evy Jane | Nothing So Great (8PRN bootleg)

8prn | Time Waste EP

Wolfey


Jill Scott | Golden (Kaytranada’s Life Living Edition)

Golden - Kaytranada Remix

When our very own Adam Rutledge had a sit down with Kaytranada before he took to the stage at Igloofest , Kevin Celestin mentioned that he rarely listens to new music. He’d rather listen to old disco and soul music like Diana Ross and Marvin Gaye (“or some rock music shit like Jeff Buckely”). And that appreciation for the classics is apparent in most of his work. Celestin knows exactly how to put his own spin on the tracks he works with while leaving just enough of the original groove to remind us just how good 90’s R&B really was.

His latest piece, a rework of Jill Scott’s “Golden” highlights just this. Listen and download below.

Kaytranada

[Kaytranada]

See previously:

Kaytranada | Interview

Igloofest 2013 Retrospective

alh


Kaytranada | Interview

kaytranada1-1

[Kaytranada]

A few minutes before Montreal’s beloved Kevin Celestin took to Igloofest’s Sapporo stage, I got the opportunity to sit down and ask him a few questions. Kevin entered the small room with a humble demeanor and an anxious smile stretched across his face; Kaytranada was eager to get on stage, but more than happy to discuss topics not limited to: the city of Montreal, making music with family members, and trap music’s ever evolving fan-base beforehand.

Low-Life: Kevin, first of all, thank you for your time.

Kaytranada: No problem man.

LL: You were born in Port Au Prince (Haiti), and moved to Montreal shortly thereafter. On your Bandcamp , you list the city of Montreal to be one of your main influences… What aspects of this city influence your production most?

K: Well… It’s more about the nightlife in Montreal, It’s really dope, and everyone is open to everybody. There are all kinds of people here, its really nice.

LL: People dress the way they want to and such..

K: Yeah man, it’s dope.

“Supreme Laziness… It’s coming out soon. This year, probably March, maybe later.”

LL: From what I understand, your little brother has played an impactful role in your music career, introducing you to production and whatnot.  What is the relationship like between you two?

K: Yo – he’s been my best friend since day one! Ever since he was born we’ve been really close… like really close.

LL: Absolutely man, I’m in the same place with my older brother. We would find new beats and wile out to them all the time.

K: That’s exactly the same shit man.

LL: And you’re working with him on a mix-tape I hear?

K: Yeah. Supreme Laziness… It’s coming out soon. This year, probably March, maybe later.

LL: What’s it like working with a family member?

K: Well, It is kind of like… kind of more direct, more emotional, you know. It’s always negative when we’re recording a track. Right now I’m not really down to record a track, because I don’t have that patience no more… He does a lot of takes when he’s recording his raps.. you know.. So I’m like fuck it. No more time, and now he’s kind of mad that I don’t want to record for him, or with him. I critique him and he’ll scream at me. But you know, at the end of the day, we’re just brothers arguing about a mix-tape and it doesn’t change anything.

LL: It’s all better the next day?

K: Yeah man.

“Its kinda weird for me cause I rarely listen to today’s music at all. I’m more into disco like Diana Ross, Soul music like Marvin Gaye or some rock music shit like Jeff Buckley.”

LL: So, for your forthcoming album, titled Kaytra Thomas, what kind of beats can we expect to groove to?

K: Yo. It’s gonna be everything… you’ve seen lately I’ve been into house… trap… hip-hop beats, its gonna be more complex with more suprises too.

LL: Can’t wait to hear it.

K: Haha thanks-

LL: The name you produce under, it started with Kaytradamus, and you changed it to Kaytranada… Kaytra, where did the ‘Kaytra’ come from?

K: Kaytradamus came from Nastradamus who took it from Nostradamus, and that was just kind of like random, it was a unique name at the time. So that’s where the Kaytra came from, it’s like a smaller name for my stage name.

LL: Correct me if I’m wrong, but you started DJ-ing prior to producing.

K: Yeah.

LL: Has any of the skills that you acquired from DJ-ing transferred over to your production process?

K: Well yeah, it kinda helped for mixing, and more creative stuff with effects. At that time I didn’t even know how production worked so i learned everything from there. The BPMs, mixing acapellas and all of that.

LL: So tell me your ideal setting for working on a track? 4 in the morning.. a sunny afternoon.. Snowfall perhaps? What’s the ideal?

K: Well, back in the day I usually worked early in the morning, like at 4am when I didn’t sleep at all. I had pretty bad insomnia; I was an insomniac for a really long time. I’m kind of recovering from it now, but back then it worked really well to make beats during the night.  Now today, it only happens one time a week when im about to go to sleep or when i come back from school.

LL: Do you have any other passions besides music?

K: Yeah sure, i freaking love drawing and i also love filming and directing videos. I have a passion for food too.

LL: Your top 5 artists in the game right now?

K: TNGHT Kendrick Lamar Sean Price … umm… Action Bronson Schoolboy Q … Its kinda weird for me cause I rarely listen to today’s music at all. I’m more into disco like Diana Ross, Soul music like Marvin Gaye or some rock music shit like Jeff Buckley. So right now, I’m catching on the albums that I’ve missed in the past years whether its from the 90′s, 80′s or the 70′s.

“I don’t hate the musicians who make trap but I think the fans are getting annoying and corny only waiting for a drop or saying “its a trap”. I don’t think its trap, it supposed to be a sub genre for hip hop.”

LL: Where do you look to find new music for your sets?

K: SoundCloud. Just discovering new music, scrolling up and down. I look for new artists; I look for new shit, original stuff. Then when I discover a new artist I dig, I check out his favorites and it links me to other artists that I’ve never heard of, which is amazing.

LL: Last question, what’s your outlook on the trap-music scene looking forward?

K: I don’t know, its getting kind of weird. I don’t hate the musicians who make trap but I think the fans are getting annoying and corny only waiting for a drop or saying “its a trap”. I don’t think its trap, it supposed to be a sub genre for hip hop.

LL: I’m looking forward to your set, thank you very much for your time Kevin.

K: Yo thanks man. That was cool.

kaytranada+adam2-1

See Previously:

Kaytranada | Kaytra Todo EP
Igloofest | Retrospective

words: Adam Rutledge
images: Kane Ocean


Igloofest 2013 Retrospective

It’s mid-February now, and we’ve closed another chapter of the Igloofest chronicle.

Almost an extension of the holiday season, the beloved festival serves as a unique mechanism to escape the all too consuming weight of the Montreal Winter. Now that it’s over, thousands of party-goers – upwards of 76,000 to be accurate – must rely on their own devices to persevere towards the effortless joviality of Spring.

As always, the celebration exceeded our expectations, leaving only slight and likely superfluous qualms for us to meditate until they are once again wiped from our conscious with the opening revelry of Igloofest 2014.

Until then, let us relive its grandeur.

One element of the festival that never ceases to strike an impression on me is the crowd.

Yes, on some occasions the pulsating mass aggravated several of the die-hard music appreciators and gentle personalities I’ve spoken with since, but more often was I all together impressed by the spirit of the crowd and their commitment to this 21st century nocturne.

I’m not sure if I’ve ever witnessed a more consistently dancing group of people. The audience is not solely comprised of dance music fanatics either; older individuals and a great many who may not even relate to music of an electronic variety make up a considerable portion, if not a majority of the crowd as well.

I believe that this rare phenomenon can be attributed in part to the physical need to keep moving – considering that this was the coldest Igloofest to date – but also to the entirely non judgmental, come-one-come-all atmosphere provided by the event’s organizers. Either way, a sense of unity was often inevitable.

Another thing I must applaud was the host of talented visual artists performing in unison to those on stage. Their work was most often dazzling and at times even breath taking.

Some artist’s that impressed us in particular, Baillat Cardell & fils , Gridspace , and Diagraf , not only provided appropriate and mesmerizing accompaniment to their respective DJ’s but shone in their own respect, on occasion even over-shadowing the musician with creations that garnered audible mass exaltation.

Now, to give credit to the enormous talent that graced the 1′s and 2′s at this year’s festival; with this calibre of expertise, I can hardly begin to highlight every instance of musical fervour, but of course, there were some performances that were unforgettable, inspiring even.

[Mistress Barbara]

The most memorable set for us was surely Misstress Barabara ‘s ravenous opening ceremony.

Her definitive exhibition of rolling, hard-hitting yet upbeat techno, a style I can’t say I was previously compelled by, knocked our photographer and myself off of our feet, not that we could feel them anyway.

It made me wish for the first time that I went raving in 2005.

[Kaytranada]

Home town hero, Kaytranada , put forth a captivating mix of generational classics, and a slew of tunes, assumedly out of his growing catalogue of self-produced beats, that maintained many of the nuances of the trap template, but with smoother, funkier bass lines and grooves that distinguished them from the overwhelmingly popular genre.

His entourage, one of the liveliest groups of gentlemen this side of the 49th parallel, was also a compelling attribute.

[Nina Kraviz]

As expected, Nina Kraviz enchanted us.

Yes, we may very well have fallen victim to her playfully seductive stage presence, but I’m certain that it was her hypnotic brand of house music and the decidedly and ever so delicately off-beat manner in which she chose to mix said music that truly won our hearts that evening.

Regardless, Ben Klock is indeed one lucky individual.

[Joy Orbison]

The final weekend was a triumph in and of itself, with a line-up that in my opinion rivaled even the combined glory of the previous three.

Thursday night, Ben UFO represented the Hessle Audio mentality, along with affirming the root of his own success as a ‘DJ that only DJs,’ by playing out cold, industrially percussive and bass-heavy records in flawless succession.

Joe Goddard livened up the crowd with melodically centered house tunes, before descending once again into more deep and rumbling grooves.

The following night we were treated to yet another staple of the ‘DJs that only DJ,’ club, but in comparison to Ben UFO , Oneman was far more effective in accommodating the entire audience with his eclectic and keenly blended mix of disco, hip-hop, garage, dubstep, and house.

Following him was the legend, Joy Orbison ; I don’t mean to sound over-zealous but it feels like something of an honour every time I have the opportunity to catch his set. This being his first ever time in Canada, he lived up to every expectation and blew us away with his signature style of pounding, twanging, and immanently groovy UK bass music.

[Joe Goddard]

Apart from the aforesaid heroes, there were many that made the honourable mentioned list.

Wolf + Lamb , KiNK , Pan-Pot , Lunice of TNGHT , Taal Mala , and Tommy Four Seven all put forth sets that deserve notation in their own right. I recommend taking the opportunity to catch every one of these outfits if the occasion so presents itself.

What might we change about Igloofest if given the opportunity to do so? Not much.

Perhaps we’d narrow the volume gap between opener and headliner; I shouldn’t be able to maintain an unstrained conversation at the front of a Ben UFO set, indoors or out of doors.

Though the organization of nights by genre is for the most part very good, it wouldn’t have hurt to employ some minute, strategic shuffling of performers; Schlachthofbronx , for instance, would have certainly suited another night, a night that was not so centred on the very not-German tradition of hip-hop.

Another thing: there were a handful of local artists we were surprised to not find on the bill. The much buzzed production duo, Grown Folk , solo effort, KwikFiks , and Clown and Sunset ‘s Valentin Stip would have all made fantastic additions to the sonic experience. It was also a surprise not seeing the inclusion of local visual authority and personality, Skunch , on the VJ roster. And what about the Dirty Bird backed Prince Club ? Or even the St. Laurent staple, Deejay Ledisko ? Prison Garde ? Seb Diamond ? I suppose the list could go on and on, but a few dollars could be saved whilst upping the musical anti in 2014. Igloofest organizers, take note.

We might also opt for some warmer weather, but then again, it wouldn’t be the Igloofest we know and love with out the numb toes and slushy Sapporo tall boys, now would it?

[Oneman and Joy Orbison (back)]

Take a look at this visual reminiscence we put together if you’re still looking for a more vivid picture.

In conclusion, we’d like to thank the Igloofest team for allowing us to be apart of such a unique enterprise.

Nothing short of a drastic rise in global temperature will keep this festival from excelling far into the future.

See you at Piknik .

words: Samuel Rutledge
images: Kane Ocean
support: Adam Rutledge
other images: Vivien Guamand, Léa Lacroix


Kaytranada | Kaytra Todo

[Kevin Celestin]

Local hero and funky beat-smith Kevin Celestin -a.k.a. Kaytranada - has polished his forthcoming EP (via Jakarta & HW&W Records) and made it available to stream on Soundcloud. “Kaytra Todo” consists of 8 well-fabricated beats that showcase not only Kevin’s signature style, but a development of it. My two personal favourites: “All We Do”, and “Hot Jazzybelle” are two tracks that exemplify Kevin’s growth; rest assured, the other 6 tracks are bangers in their own right.

“KAYTRA TODO? WHAT DOES THAT MEAN? ITS THE CONTRARY OF KAYTRA NADA. KAYTRA NOTHING TO KAYTRA EVERYTHING. THAT WHAT KAYTRA TODO MEANS. AYE.”

If you like what you hear, catch Kaytranada tonight at Le Belmont , and pre-order “ Kaytra Todo”, here .

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Kaytranada | All We Do ft. JMSN

[Kevin Celestin]

Appearing on HW&W Recordings ‘ soundcloud page this afternoon was a taste of what is to come from Montreal’s own Kevin Celestin . “All We Do” is a silky hip-hop groove featuring vocals from Detroit-based artist, JMSN ; the track will be featured on Kaytranada’s forthcoming EP, titled “Kaytra Todo” . At this juncture, it seems as if the sky is the limit for Kaytranada. Keep your ears open on February 25th, as “Kaytra Todo” drops via HW&W Recordings.

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Lunice | BBC 1xtra Mix

[Lunice Fermin Pierre II, a.k.a. Lunice]

Montreal’s own Lunice Fermin Pierre II fashioned an hour long mix for BBC Radio 1Xtra as of late. The result is what followers might expect, which is a good thing; a creative concoction of cranked 808′s, cheeky melodies, and rattling high-hats. A few tracks to look out for include: Jamie xx and Gil Scott Heron ‘s NY Is Killing Me , Kaytranada ‘s Holy Hole Inna Donut , and a freshly pressed TNGHT manicure of Good Music’s Clique (56:00!).

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Igloofest 2013 | Preview

With the New Year rung in and the Holiday affectations revoked from their store windows, the majority of cities now enter the long drudge through Winter toward the joviality of Spring.

Montreal is the exception.

Here, the people disregard the common sensibility to sulk and hibernate, and choose instead to revel in sub-zero outdoor communion, an habitual observance of the arts. Igloofest , Montreal’s own alfresco dance-party, is but the essential representation of this mass delusion; a passion for the extreme, the creative, and the cutting-edge.

Now, entering its 7th year, the party boasts a number of achievements. For one, it has earned the affectionate title of “World’s Coldest Festival,” seeing high spirits at temperatures as low -32° C. Igloofest ‘s setting is a triumph in and of itself. Posed against the back drop of the St. Lawrence river, the Quay’s of Montreal’s Old Port dazzle with the help of LED displays numbered in the thousands, not to mention the dozens of featured visual artists set to perform in unison with the musicians on stage. The entire operation has grown from a modest 4,000 party goers in ’07 to welcoming an excess of 55,000 bodies last year. This influx in festivity is likely due in part to the renowned list of talent being selected by those also behind Monteral’s praised summer-jam, Piknic Electronique . I would begin to account the impressive performance alumni of recent years but the list would prove too long for any sensible inclusion. Instead, let us walk through some of Low-Life’s most anticipated, (in alphabetical order) -

A Tribe Called Red

A Tribe Called Red is a group consisting of three DJ’s, all of which are from a Native Canadian background. Hailing from Ottawa, Canada, ‘the Tribe’ strives to blend contemporary club sounds with their own traditional Pow-Wow music. The singing found in the original Pow-Wow music is something that cannot be replicated, yelps and screeches hit evoking tones with a strong sense of soul… absolutely refreshing.” (via Low-Life )

A Tribe Called Red plays the Sapporo Stage on January 31st.

Ben UFO

Ben UFO makes up one-third of the contemporary behemoth Hessle Audio , along side other young moguls Pangea and Pearson Sound . He is considered a particularly rare case these days as he is one of an increasingly small contingent of touring artists that only DJ and are respected as such, never taking public steps into the world of production.

Ben UFO takes the Sapporo Stage, February 7th.

Joe Goddard (of Hot Chip)

Joe Goddard may be more commonly recognized as the synth-line and vocal layer to the indie giant, Hot Chip , but something he’s also esteemed for is his unique taste in funk, disco, and the clubbier side of electronic music.

Joe Goddard will take the Sapporo Stage, February 7th.

Joy Orbison

Right now, Joy Orbison is a powerful figure in the house music bubble. This is likely due to the consistency in which he churns out certifiable underground classics. Since his debut single, ‘Hyph Mngo’ in 2009, Joy O has been and continues to be a thunderous and groovy force.

Joy Orbison will play the Sapporo Stage, February 8th.

Kaytranada

“Montreal’s own Kaytranada has a certain way with R&B originals. Listing his influence as “The city of Montreal… mostly,” Kaytranada is becoming more and more relevant… with each passing day; from opening for Baauer and Araabmuzik …reworking tracks for Montreal’s Booty Bakery , and now working with LA based label, HW&W Recordings ” (via Low-Life )

Kaytranada will take the Sapporo Stage, January 26th.

KiNK

KiNK may very well be Eastern Europe’s premier source for acid-house, not to mention for his own unique brand of a whimsical techno. Since the inception of his musical passion in 1992, and the commencement of his career in 2000, KiNK has finally -in recent years- become a name synonymous with classic sound, quality, and, paradoxically, the cutting edge of dance music.

KiNK will play the Sapporo Stage, January 18th.

Nina Kraviz

It is funny that Nina Kraviz maintains so many out-spoken qualms with perfection, that is considering her profession as a both producer and DJ require some level of said quality, but she does, and this likely is a source for her undeniably unique approach to the common house music mode. She is also a bomb-shell. See for yourself.

Nina Kraviz will play the Sapporo Stage, January 25th.

Oneman

Yet another ‘pure DJ,’ in that he only DJ’s, with no production to call his own. This, of course, is of no consequence to his reputation because the name ‘Oneman,’ is a name that garners immediate respect from listeners across the UK and beyond; because everyone knows that Oneman has the hottest dubs out.

Oneman plays the Sapporo Stage on February 8th.

TNGHT

TNGHT , the duo comprised of Scotland’s Hudson Mohawke and Montreal’s own Lunice need little introduction. The TNGHT EP was heard around the world. There is no doubt that this performance will be altogether insane.

TNGHT will take the Sapporo Stage, January 26th.

Wolf + Lamb

Lastly, we have Wolf + Lamb . The Brooklyn based outfit is posed to bring out its signature style of deep, melodic, indie-sexual house music. Bring your special someone along to this one and make some eye-contact.

Wolf + Lamb will take the Sapporo Stage, January 17th.

Seeing as Igloofest 2013 is not three, but a full four weekends long this year, there is really no excuse for missing out. From out of town, from out of the basement, don your snow gear and prepare to dance. You won’t regret it. Trust us.

Tickets can be purchased by day, by weekend, or by full pass at igloofest.ca

sam.i.am


Kaytranada | Holy Hole Inna Donut

Kaytranada

[Kaytranada]

Montreal’s Kaytranada released a freebie for followers earlier this morning; a track off of his forthcoming LP for HW&W recordings . Holy Hole Inna Donut’s strongest point is following the breakdown, when all of the beat’s elements come together and sing for a final time. The beat is invigorating yet not overly obnoxious, surely deserved of a place in your electronic library.

Be sure to catch Kaytranada at Montreal’s Igloofest on the night of January the 26th, suitably warming up the stage for beat-scene supergroup, TNGHT .

See previously: Janet Jackson | If (Kaytranada Remix)

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Janet Jackson | If (Kaytranada Remix)

[Kaytranada]

Montreal’s own Kaytranada has a certain way with R&B originals. Listing his influence as “The city of Montreal… mostly” Kaytranada is becoming more and more relevant in the tasteful electronic music scene with each passing day; from opening for Baauer and Araabmuzik last weekend, to reworking tracks for Montreal’s Booty Bakery , and playing a set at Montreal’s forthcoming Igloofest . His spike in publicity did not come undeservedly either, take a listen to Kaytranada’s funky rework of Janet Jackson’s If below.

Be sure to keep an eye on to this up and coming talent.

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